We recap the results of our Oscar predictions, talk about True Detective and try to predict who’ll be in season 2, and discuss Captain America 2 – as well as talk about the movies we saw at Kino Pavasaris, the local festival.
When Captain America throws his mighty shield… it looks really cool. Captain America: The First Avenger was a necessary story to tell for Cap, it’s his origin story. It’s a good movie, that really captures the look of the 40s, and retells his creation rather faithfully – and, more importantly, with feeling. Winter Soldier, on the other hand, turns the superheroics up to 11. Captain America is now truly the character the fans of his comics know him as. He is not perpetually a man out of time, he can’t be. This movie has Cap acclimatize, at least somewhat, to the current reality (even using the internet). Neither can he be a naive ultra-patriot in the modern day – this may have been not only commendable, but necessary during WWII, but that is certainly no longer the case as the world is no longer so black-and-white. Not even in the Marvel Universe.
The movie starts off with Rogers working for S.H.I.E.L.D. on covert missions. He is not fond of the nature of some of the work, but when there are hostages to be saved, he is fully on board, and throws himself into combat with energy we have not seen with the captain so far. There were jeers when The Avengers was coming out that he’ll be slightly useless in such a powerhouse team-up, but those complaints can now be put to rest, I think. Joss Whedon did a great job of giving everyone something to do in The Avengers, but he basically had Cap in the role of a regular action movie hero – fighting, jumping, running from explosions efficiently, to be sure, and against opponents most regular people could never withstand, but not really get into super-powered territory that often. Captain America: The Winter Soldier changed the character’s fighting style slightly and subtly, and pitted him against the right opponents to really show his skills off for the first time. here, he is blisteringly fast, devastatingly strong, and extraordinarily resiliant. In the very first action sequence he takes out multiple thugs with a single throw of his shield, stealthily infiltrate a ship, and take out Batroc the Leaper while barely breaking a sweat. This is, simply put, good action cinema – exciting, fast, and convincingly lethal.
Captain Rogers is, however, questioning the true motives of S.H.I.E.L.D., which seems to be using him as they would any other asset – aiming him at the enemy and releasing, telling him little aside from that. He pushes for Nick Fury to divulge exactly what is happening, and gets snippets about a project that is set to eliminate potential hostiles before they even manage to cause any harm – finally, Fury says, they will be ahead of the curve in their war for peace. Cap sticks to his ideals, but does seem to be leaving the scene questioning whether he should stay with the organization, leave, or potentially accept that he is in a dirty world, where dirty deeds may be necessary to save lives. Before he can do this, however, Fury is attacked, and assassinated in Steven Rogers’ own apartment, pitting him against S.H.I.E.L.D. and their head Alexander Pierce (Robert Redford) who assume he must be hiding something. Cap goes on the run with Natasha Romanov, Black Widow, and start uncovering the truth behind the intelligence agency, HYDRA, and the mysterious Winter Soldier that keeps popping up.
The handling of the Black Widow in this movie is spot-on. She was definitely a player in The Avengers, but the character really comes into her own here. In a movie that is essentially about trust (both personal, and in government/authority), the themes would not have resonated as well at all without her presence. Black Widow is not only currently the best superheroine in cinema (never relegated to the role of a damsel in distress), she confident, and intelligent in a way that Captain America is NOT. He is certainly no dummy, but she is the super-spy, and when the pair go on the run, Captain America simply does not have the guile to do it on his own. It is refreshing to see such a strong female character in superhero movies (also flanked by Agent Hill, played by Cobie Smulders, and Agent 13, Emily VanCamp). I hope this sets a good example, and Marvel realizes what they have on their hands well enough to give Widow a solo feature. The Phase 3 movies are being announced soon, and it can’t be all white straight male superheroes again, come on!
The Winter Soldier is appropriately menacing to give Cap and his allies a challenge. Given that he is not the primary threat, but more of a henchman, I must question whether his appearance in the title is truly justified. I like what the Russo brothers did with the Brubaker source material a lot, but I can’t help but notice that the central plot is really not about Captain’s relationship with the Winter Soldier at all, but rather with S.H.I.E.L.D., the modern world, even the concept of who he is. This is one of my only criticisms of the movie, and it’s more of a criticism of the title, truly – the way he and Falcon decide to go after him in the final scene suggests that The Winter Soldier would be a better title for the third movie. This is, of course, a minor gripe. Sebastian Stan does a fine job – better, in fact, than I expected, given how disarming and utterly non-threatening his Bucky was in the first movie. This is, of course, the nature of the twist, and it is entirely to his credit that Stan pulls it off.
Anthony Macky’s Falcon is a lot of fun – and while the word sidekick may be anathema for the current Marvel Cinematic Universe, their relationship certainly approaches it (Falcon says, about Cap “I do what he does, only slower”). He does not have a ton to do outside of the giant action scene in the final act in terms of action, but just as Captain’s counterpart – the modern soldier, who had left the military behind, he is a valuable addition to the Marvel Universe.
Speaking of additions, there are numerous ones on display here. Batroc the Leaper (Georges St-Pierre) may easily return as a hired gun. Crossbones (Frank Grillo) is heavily burned and injured, but presumably both survives and has a major bone to pick with Captain America. Digitized brain Arnim Zola is seemingly destroyed, but could easily have been backed up in another fascility to return. His scene in the movie was probably my favorite, incredibly imaginative and injecting original details, while simultaneously extremely faithful to the comic version of the character. It only occured to me now that the Russo brothers brilliantly introduced a very recognizable and interesting character from the comics for a single scene to deliver the exposition. It’s brilliant, and I for one am filing the trick away for future use (though I can’t imagine where this could be used outside of the Marvel movies). Baron Strucker also makes an appearance, as do Quicksilver and Scarlet Witch, in the mid-credits scene.
The biggest change by far, however, is that the movie does not return to the status quo! The storyline does not take the simple and boring route of “everything is well, something goes down , superhero fixes it, eveerything goes back to normal”. Captain America actually changes things! Marvel Universe will literally never be the same! I’m extremely curious to see how the universe proceeds, particularly with the Agents of S.H.I.E.L.D. tv show (name change?).
Captain America: The Winter Soldier is not my favorite Marvel movie of all time, that remains The Avengers, which is so close to the feeling of reading a superhero comic, it’s crazy. Cap 2 is very, very solid, however – an awesome political/espionage thriller with superheroes. Nearly every Marvel movie has been of a slightly different genre, or embraced different tropes, and this one is a very solid entry in the canon.